快刀斩

简介：　　米基洛克饰演一位重刑犯麦可，他高达一百八的智商，早就熟读了所有的法律条文，更知他该如何为自己开罪，他凭他个人魅力，教年轻女律师珊德拉（琳达希克鲁斯饰）帮他跟法官要求假释；当然他希望自己除此之外还有其他的机会可以离开监狱……　　珊德拉听从麦可的指示，把枪藏在身上，麦可假装挟持律师，逃狱而出……在警方紧紧追赶下，麦可来到科尼尔家里，展开重头戏──重刑犯和被挟持家庭的冲突，及被挟持人犯该如何为自己脱困，甚至在与警方配合和与重刑犯配合间争执、争吵……

简介：　　傳說中園子溫的疾走電影，虛渡青春的成長曲。廿歲大學生Shiro 和 Keita 靠派報紙維生，遲了三年仍未能順利畢業。Shiro一心只求拍電影，Keita 開始對未來焦躁起來。首次自導自演的園子溫，扮演浪人 Shiro大多是自身投射，抱著自我尋找的旗幟，在PIA打響名堂，再馳騁柏林和歐亞大小影展，打造出園子溫電影的新風格。　　（HKAFF09）

简介：　　一部人海众生相式的电影，角色众多，枝节纵横交错，将五十年代初期纽约布鲁克林区的底下层社会面貌作出活生生的反映，故事背景是正在进行大罢工的边缘地带，工人已有六个月没工作，人人心情烦燥，此时一名年轻妓女崔拉拉自甘随落的行为，引起了一群醉酒士兵、流氓青年和失业工人的大围殴，情况一发不可收拾。导演尤里奇．埃迪尔采用十分沉低调的手法来刻画社会边缘人的阴暗面，角色包括了：同性恋青年、未婚怀孕的女儿、不良帮派份子、专搞仙人跳的妓女等等，部份色情暴力的场面处理得相当露骨。饰演妓女的珍妮弗．贾森．利有遭人轮暴的激情演出，凭本片一举成名。

简介：　　大悟与麗奈的兒子翼在一次飛機測試的途中回到了古代，并被一幫村民救起。企圖支配黑暗的杜古馬、大達拿和我龍操縱怪獸佐蒙多展開襲擊村落的計劃。翼和村民準備對抗怪獸的入侵……　　一面倒防守的村民的身邊出現了一位旅途中的勇士馬巴，他手持的青銅製Sparklance令翼覺得很面善，認為這就是令其父親大悟變身成巨人Sparklance，當他拿起這東西集中精神後，竟變身成為超人迪加！但身材不高又沒有能量，所以不能打敗怪獸，而且能量不足很快就變回人。　　黑暗魔神杜古呼終於醒來了，與怪獸一起襲擊村落……翼難道不是光之巨人的傳人？那真正的傳人究竟會是誰？光之巨人最終能否復活……

简介：　　A cynical former civil liberties attorney now reduced to "specializing" in defending drug dealers becomes transformed by an eight-year-old murder case.

简介：　　The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate.　　The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film.　　The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches".　　Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.